Action/Abstraction Redefined: Modern Native Art, 1940s to 1970s explores how artists at the Institute of American Indian Arts (IAIA) in Santa Fe combined New York School art influences with Native art traditions and challenged stereotypical expectations of American Indian art at midcentury.
Action/Abstraction Redefined
406
Earl Eder, Forms in Beadwork
407
Mike Medicine Horse Zillioux, The Day Jackson Pollack Became a Christian
408
Phyllis Fife, Life Within
409
T.C. Cannon, Firelights
410
Linda Lomahaftewa, The Quiet Land, the Warm Land
411
Lloyd Henry “Kiva” New, Untitled (Squares)
412
Alfred Young Man, Indian Blanket
413
Anita Fields, Untitled
414
Neil Parsons, Pueblo Forms